So you can have the music sounding as played in, but the notation actually readable. What provided (and still does) is excellent real-time mid-recording, everything at once, with the inherent ability to fiddle with the actual sound (attack, delay, duration and all the other wonders) OR the notation, OR both together. ![]() ![]() Yes, I had, but having been running on Notation since it was MidiNotate (2002?), then the only decent low-cost and decently useable MIDI notation program on the market, and Steinberg's offerings in all directions were expensive-and then a Beta tester on various versions of Notation Composer-I've had no desire to try out anyone else any more.
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